American Literary History

  • Anderson, Benedict. Imagined Communities: Reflections on the Origin and Spread of Nationalism. London: Verso, 1983.

  • Armstrong, Nancy, and Leonard Tennenhouse. The Imaginary Puritan: Literature, Intellectual Labor, and the Origins of Personal Life. Berkeley: University of California Press, 1992.

  • Bercovitch, Sacvan. The American Jeremiad. Madison: University of Wisconsin Press, 1978.

  • Davidson, Cathy N. Revolution and the Word: The Rise of the Novel in America. Oxford: Oxford University Press, 2004.

  • Elliott, Emory. Revolutionary Writers: Literature and Authority in the New Republic. New York: Oxford University Press, 1982.

  • Fluck, Winfried. Das kulturelle Imaginäre: Eine Funktionsgeschichte des amerikanischen Romans 1790–1900. Frankfurt/M.: Suhrkamp, 1997.

  • Gray, Richard. Writing the South: Ideas of American Region. Cambridge: Cambridge University Press, 1986.

  • Greenblatt, Stephen. Marvelous Possessions: The Wonder of the New World. Chicago: University of Chicago Press, 1992.

  • Gunn, Giles, ed. Early American Writing. Harmondsworth: Penguin, 1994.

  • Hoffman, Ronald, and Peter J. Albert, eds. Women in the Age of the American Revolution. Charlottesville: University of Virginia Press, 1989.

  • Jehlen, Myra, and Michael Warner, eds. The English Literatures of America: 1500–1800. New York: Routledge, 1997.

  • Jones, Howard Mumford. O Strange New World: American Culture: The Formative Years. New York: Viking, 1964.

  • Kelleter, Frank. “1776: John Adams Disclaims Authorship of Common Sense But Helps Declare Independence.” A New Literary History of America. Eds. Marcus Greil and Werner Sollors. Cambridge: Harvard University Press, 2009. 98–103.

  • Kelleter, Frank. Amerikanische Aufklärung: Sprachen der Rationalität im Zeitalter der Revolution. Paderborn: Schöningh, 2002.

  • McDougall, Walter A. Freedom Just Around the Corner: A New American History: 1585–1828. New York: Harper Collins, 2004.

  • Meltzer, Mitchell. “1787: A Literature of Secular Revelations.” A New Literary History of America. Eds. Marcus Greil and Werner Sollors. Cambridge: Harvard University Press, 2009. 108–12.

  • Meserole, Harrison T. American Poetry of the 17th Century. New York: University Press, 1993.

  • Spengemann, William C. A New World of Words: Redefining Early American Literature. New Haven: Yale University Press, 1994.

  • Anderson, Benedict. Imagined Communities: Reflections on the Origin and Spread of Nationalism. London: Verso, 1983.

  • Armstrong, Nancy, and Leonard Tennenhouse. The Imaginary Puritan: Literature, Intellectual Labor, and the Origins of Personal Life. Berkeley: University of California Press, 1992.

  • Bercovitch, Sacvan. The American Jeremiad. Madison: University of Wisconsin Press, 1978.

  • Davidson, Cathy N. Revolution and the Word: The Rise of the Novel in America. Oxford: Oxford University Press, 2004.

  • Elliott, Emory. Revolutionary Writers: Literature and Authority in the New Republic. New York: Oxford University Press, 1982.

  • Fluck, Winfried. Das kulturelle Imaginäre: Eine Funktionsgeschichte des amerikanischen Romans 1790–1900. Frankfurt/M.: Suhrkamp, 1997.

  • Gray, Richard. Writing the South: Ideas of American Region. Cambridge: Cambridge University Press, 1986.

  • Greenblatt, Stephen. Marvelous Possessions: The Wonder of the New World. Chicago: University of Chicago Press, 1992.

  • Gunn, Giles, ed. Early American Writing. Harmondsworth: Penguin, 1994.

  • Hoffman, Ronald, and Peter J. Albert, eds. Women in the Age of the American Revolution. Charlottesville: Uni versity of Virginia Press, 1989.

  • Jehlen, Myra, and Michael Warner, eds. The English Literatures of America: 1500–1800. New York: Routledge, 1997.

  • Jones, Howard Mumford. O Strange New World: American Culture: The Formative Years. New York: Viking, 1964.

  • Kelleter, Frank. “1776: John Adams Disclaims Authorship of Common Sense But Helps Declare Independence.” A New Literary History of America. Eds. Marcus Greil and Werner Sollors. Cambridge: Harvard University Press, 2009. 98–103.

  • Kelleter, Frank. Amerikanische Aufklärung: Sprachen der Rationalität im Zeitalter der Revolution. Paderborn: Schöningh, 2002.

  • McDougall, Walter A. Freedom Just Around the Corner: A New American History: 1585–1828. New York: Harper Collins, 2004.

  • Meltzer, Mitchell. “1787: A Literature of Secular Revelations.” A New Literary History of America. Eds. Marcus Greil and Werner Sollors. Cambridge: Harvard University Press, 2009. 108–12.

  • Meserole, Harrison T. American Poetry of the 17th Century. New York: University Press, 1993.

  • Spengemann, William C. A New World of Words: Redefining Early American Literature. New Haven: Yale University Press, 1994.

  • Bailyn, Bernard et al. The Great Republic: A History of the American People. Lexington, MA: Heath, 1977.

  • Baym, Nina. Woman’s Fiction: A Guide to Novels by and about Women in America: 1820–1870. Ithaca: Cornell University Press, 1978.

  • Benesch, Klaus. “Where I Lived, and What I Lived For? Thoreau’s Platial Iconicity.” American Cultural Icons: The Production of Representative Lives. Eds. Bernd Engler and Günter Leypoldt. Würzburg: Königshausen & Neumann, 2010. 107–21.

  • Benesch, Klaus. Romantic Cyborgs: Authorship and Technology in the American Renaissance. Amherst: University of Massachusetts Press, 2002.

  • Bigelow, Jacob. Elements of Technology. Boston: Boston Press, 1829.

  • Boorstin, Daniel. The Genius of American Politics. Chicago: University of Chicago Press, 1953.

  • Bromell, Nicholas K. By the Sweat of the Brow: Literature and Labor in Antebellum America. Chicago: University of Chicago Press, 1993.

  • Buell, Lawrence. The Environmental Imagination: Thoreau, Nature Writing, and the Formation of American Culture. Cambridge: Harvard University Press, 1995.

  • Davidson, Cathy. Revolution and the Word: The Rise of the Novel in America. New York: Oxford University Press, 1986.

  • Eichner, Hans. “The Rise of Modern Science and the Genesis of Romanticism..” PMLA 97 (1982): 8–30.

  • Fetterley, Judith, ed. Provisions: A Reader from 19th-Century American Women. Bloomington: Indiana University Press, 1985.

  • Foster, Frances Smith, ed. A Brighter Coming Day: A Frances Ellen Watkins Harper Reader. New York: The Feminist Press at CU NY, 1993.

  • Foucault, Michel. The Order of Things. New York: Vintage, 1973.

  • Gilbert, Sandra M., and Susan Gubar. The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination. New Haven: Yale University Press, 1984.

  • Gilmore, Michael T. American Romanticism and the Marketplace. Chicago: University of Chicago Press, 1985.

  • Grossberg, Lawrence, Cary Nelson, and Paula Treichler. Cultural Studies. New York: Routledge, 1992.

  • Hawthorne, Nathaniel. The Letters, 1853–1856. Eds. Thomas Woodson et al. Columbus: Ohio University Press, 1987.

  • James, C. L. R. Mariners, Renegades, and Castaways: The Story of Herman Melville and the World We Live In. 1953. London: Allison & Busby, 1985.

  • Karcher, Carolyn L. Shadow over the Promised Land: Slavery, Race, and Violence in Melville’s America. Baton Rouge: Louisiana State University Press, 1980.

  • Levy, Andrew. The Culture and Commerce of the American Short Story. Cambridge: Cambridge University Press, 1993.

  • Marx, Leo. The Machine in the Garden: Technology and the Pastoral Ideal in America. New York: Oxford University Press, 1964.

  • Matthiessen, F. O. American Renaissance: Art and Expression in the Age of Emerson and Whitman. London: Oxford University Press, 1941.

  • McMurry, Andrew. Environmental Renaissance: Emerson, Thoreau, and the Systems of Nature. Athens: University of Georgia Press, 2003.

  • Meier, Hugo A. “Thomas Jefferson and a Democratic Technology.” Technology in America: A History of Individuals and Ideas. Ed. Carrol W. Pursell, Jr. Cambridge: MIT Press, 1990. 17–44.

  • Pease, Donald E. Visionary Compacts: American Renaissance Writings in Cultural Context. Madison: University of Wisconsin Press, 1987.

  • Philbrick, Nathaniel. In the Heart of the Sea: The Tragedy of the Whaleship Essex. New York: Viking, 2000.

  • Poirier, Richard. A World Elsewhere: The Place of Style in American Fiction. New York: Oxford University Press, 1966.

  • Pratt, Lloyd. Archives of American Time: Literature and Modernity in the Nineteenth Century. Philadelphia: University of Pennsylvania Press, 2009.

  • Scott, Donald. “Print and the Public Lecture System.” Printing and Society in Early America. Eds. William Joyce, David D. Hall, Richard D. Brown, and John B. Hench. Worcester: American Antiquarian Society, 1983.

  • Smith, Henry Nash. Virgin Land: The American West as Symbol and Myth. Cambridge: Harvard University Press, 1950.

  • Teichgraeber, Richard F., III. “Literary Marketplace.” American History Through Literature: 1820–1870. Eds. Janet Gabler-Hover and Robert D. Sattelmeyer. Detroit: Scribner, 2006. 673–79.

  • Williams, Susan S. Reclaiming Authorship: Literary Women in America: 1850–1900. Philadelphia: University of Pennsylvania Press, 2006.

  • Zapf, Hubert. “Literary Ecology and the Ethics of Texts.” New Literary History 39.4 (2008): 847–68.

  • Barthes, Roland. “The Reality Effect.” 1968. The Rustle of Language. Trans. Richard Howard. Berkeley: University of California Press, 1989. 141–48.

  • Beaumont, Matthew, ed. A Concise Companion to Realism. Chichester: Wiley-Blackwell, 2010.

  • Bell, Michael Davitt. The Problem of American Realism: Studies in the Cultural History of a Literary Idea. Chicago: University of Chicago Press, 1993.

  • Crane, Stephen. Letters. Ed. R. W. Stallman et al. New York: New York University Press, 1960.

  • Fluck, Winfried. “Declarations of Dependence: Revising Our View of American Realism.” Victorianism in the United States: Its Era and Its Legacy. Eds. Steve Ickingrill et al. Amsterdam: VU University Press, 1992. 19–34.

  • Fluck, Winfried. Inszenierte Wirklichkeit: Der amerikanische Realismus: 1865–1900. Munich: Fink, 1992.

  • Glazener, Nancy. Reading for Realism: The History of a U.S. Literary Institution, 1850–1910. Durham: Duke University Press, 1997.

  • Hamon, Philippe. “Philippe Hamon on the Major Features of Realist Discourse.” Trans. Lilian R. Furst and Seán Hand. Realism. Ed. Lilian R. Furst. New York: Longman, 1992. 166–85.

  • Howard, June. Form and History in American Literary Naturalism. Chapel Hill: University of North Carolina Press, 1985.

  • Howells, William Dean. Selected Literary Criticism. Ed. Donald Pizer. Vol. 2. Bloomington: Indiana University Press, 1993.

  • Kaplan, Amy. The Social Construction of American Realism. Chicago: University of Chicago Press, 1988.

  • Kearns, Catherine. Nineteenth Century Literary Realism: Through the Looking-glass. Cambridge: Cambridge University Press, 1996.

  • Lamb, Robert Paul, et al., eds. A Companion to American Fiction, 1865–1914. Malden: Blackwell, 2005.

  • Lewis, Sinclair. “The American Fear of Literature.” Nobel Lecture. 12 Dec. 1930. Nobelprize.org. 13 Oct 2010 ‹http://nobelprize.org/nobel_prizes/literature/lau reates/1930/lewis-lectu re.html›.

  • Martin, Jay. Harvests of Change: American Literature, 1865–1914. Englewood Cliffs: Prentice Hall, 1967.

  • Newlin, Keith, ed. The Oxford Handbook of American Literary Naturalism. New York: Oxford University Press, 2011.

  • Norris, Frank. “Zola as a Romantic Writer.” The Literary Criticism of Frank Norris. Ed. Donald Pizer. Austin: University of Texas Press, 1964. 71–72.

  • Papke, Mary E., ed. Twisted from the Ordinary: Essays on American Literary Naturalism. Knoxville: University of Tennessee Press, 2003.

  • Pizer, Donald, ed. The Cambridge Companion to American Realism and Naturalism: Howells to London. Cambridge: Cambridge University Press, 1995.

  • Pizer, Donald. The Theory and Practice of American Literary Naturalism: Selected Essays and Reviews. Carbondale: Southern Illinois University Press, 1993.

  • Smith, Christopher, ed. American Realism. San Diego: Greenhaven Press, 2000.

  • Thompson, Maurice. “The Analysts Analyzed.” The Critic: A Weekly Review of Literature and the Arts ns 6 (1886): 19–22.

  • Trachtenberg, Alan. The Incorporation of America: Culture and Society in the Gilded Age. New York: Hill and Wang, 1982.

  • Hutchinson, Charles. The Harlem Renaissance in Black and White. Cambridge: Harvard University Press, 1995.

  • Hutchinson, George. “Jean Toomer and American Racial Discourse.” Texas Studies in Literature and Language 35.2 (1993): 226–50.

  • Jameson, Fredric. The Modernist Papers. London: Verso, 2007.

  • Kenner, Hugh. A Homemade World. New York: William Morrow, 1975.

  • Kenner, Hugh. The Pound Era. Berkeley: University of California Press, 1971.

  • Klein, Marcus. Foreigners: The Making of American Literature: 1900–1940. Chicago: University of Chicago Press, 1981.

  • Klepper, Martin, and Joseph Schöpp, eds. Transatlantic Modernism. Heidelberg: Winter, 2001.

  • Lemke, Sieglinde. Primitivist Modernism: Black Culture and the Origins of Transatlantic Modernism. Oxford: Oxford University Press, 1998.

  • Lentricchia, Frank. Modernist Quartet. Cambridge: Cambridge University Press, 1994.

  • Levin, Harry. Memories of the Moderns. London: Faber & Faber, 1980.

  • Locke, Alain, ed. The New Negro: Voices of the Harlem Renaissance. 1925. New York: Atheneum, 1975.

  • McAlmon, Robert, and Kay Boyle. Being Geniuses Together: 1920–1930. San Francisco: North Point Press, 1984.

  • Miller, J. Hillis. The Linguistic Moment. Princeton: Princeton University Press, 1985.

  • Nicholls, Peter. Modernisms: A Literary Guide. London: Macmillan, 1995.

  • Nochlin, Linda. “Return to Order.” Art in America (1981): 74–83.

  • North, Michael. The Dialect of Modernism. New York: Oxford University Press, 1994.

  • Perloff, Marjorie. The Dance of the Intellect. Cambridge: Cambridge University Press, 1985.

  • Baker, Houston. Modernism and the Harlem Renaissance. Chicago: University of Chicago Press, 1987.

  • Berman, Marshall. All That is Solid Melts Into Air: The Experience of Modernity. New York: Simon and Schuster, 1982.

  • Bradbury, Malcolm. “American Literature and the Coming of World War II.” Looking Inward–Looking Outward. Ed. Steve Ickringill. Amsterdam: VU University Press, 1990. 8–21.

  • Bradbury, Malcolm. The Modern American Novel. New York: Oxford University Press, 1986.

  • Bradbury, Malcolm, and James McFarlane, eds. Modernism. Hardmondsworth: Penguin Books, 1976.

  • Capetti, Carla. Writing Chicago: Modernism, Ethnography, and the Novel. New York: Columbia University Press, 1993.

  • DeKoven, Marianne. A Different Language: Gertrude Stein’s Experiental Writing. Madison: University of Wisconsin Press, 1893.

  • DeKoven, Marianne. Rich and Strange: Gender, History, Modernism. Princeton: Princeton University Press, 1991.

  • Diamond, Stanley. In Search of the Primitive: A Critique of Civilization. New Brunswick: Dutton, 1974.

  • Dijkstra, Bram. The Hieroglyphics of a New Speech. Princeton: Princeton University Press, 1969.

  • Douglas, Anne. Terrible Honesty: Mongrel Manhattan in the 1920s. New York: Farrar, Strauss & Giroux, 1995.

  • Eysteinsson, Astradur. The Concept of Modernism. Ithaca: Cornell University Press, 1990.

  • Gelpi, Albert. A Coherent Splendor: The American Poetic Renaissance: 1910–1950. Cambridge: Cambridge University Press, 1987.

  • Gubar, Susan. Racechanges: White Skin, Black Face in American Culture. New York: Oxford University Press, 1997.

  • Hemingway, Ernest. Selected Letters: 1917–1961. London: Granada, 1981.

  • Hutchinson, Charles. The Harlem Renaissance in Black and White. Cambridge: Harvard University Press, 1995.

  • Hutchinson, George. “Jean Toomer and American Racial Discourse.” Texas Studies in Literature and Language 35.2 (1993): 226–50.

  • Jameson, Fredric. The Modernist Papers. London: Verso, 2007.

  • Kenner, Hugh. A Homemade World. New York: William Morrow, 1975.

  • Kenner, Hugh. The Pound Era. Berkeley: University of California Press, 1971.

  • Klein, Marcus. Foreigners: The Making of American Literature: 1900–1940. Chicago: University of Chicago Press, 1981.

  • Klepper, Martin, and Joseph Schöpp, eds. Transatlantic Modernism. Heidelberg: Winter, 2001.

  • Lemke, Sieglinde. Primitivist Modernism: Black Culture and the Origins of Transatlantic Modernism. Oxford: Oxford University Press, 1998.

  • Lentricchia, Frank. Modernist Quartet. Cambridge: Cambridge University Press, 1994.

  • Levin, Harry. Memories of the Moderns. London: Faber & Faber, 1980.

  • Locke, Alain, ed. The New Negro: Voices of the Harlem Renaissance. 1925. New York: Atheneum, 1975.

  • McAlmon, Robert, and Kay Boyle. Being Geniuses Together: 1920–1930. San Francisco: North Point Press, 1984.

  • Miller, J. Hillis. The Linguistic Moment. Princeton: Princeton University Press, 1985.

  • Nicholls, Peter. Modernisms: A Literary Guide. London: Macmillan, 1995.

  • Nochlin, Linda. “Return to Order.” Art in America (1981): 74–83.

  • North, Michael. The Dialect of Modernism. New York: Oxford University Press, 1994.

  • Perloff, Marjorie. The Dance of the Intellect. Cambridge: Cambridge University Press, 1985.

  • Perloff, Marjorie. The Futurist Moment. Chicago: University of Chicago Press, 1986.

  • Perloff, Marjorie. The Poetics of Indeterminacy. Evanston: Northwestern University Press, 1999.

  • Pound, Ezra. How to Read. London: Faber & Faber, 1954. Pound, Ezra. Selected Letters. New York: New Directions, 1971.

  • Riddel, Joseph. The Turning Word: American Literary Modernism and Continental Thought. Philadelphia: University of Pennsylvania Press, 1996.

  • Santayana, George. The Genteel Tradition. Cambridge: Harvard University Press, 1967.

  • Scott, Bonnie Kime, ed. The Gender of Modernism. Bloomington: Indiana University Press, 1990.

  • Singal, Daniel Joseph, ed. Modernist Culture in America. Spec. issue of American Quarterly 39.1 (1987): 5–174.

  • Stein, Gertrude. Lectures in America. 1935. Boston: Beacon Press, 1957.

  • Tashjian, Dickran. Skyscraper Primitives: Dada and the American Avantgarde: 1910–1925. Middleton: Wesleyan University Press, 1975.

  • Tichi, Cecelia. Shifting Gears: Technology, Literature, Culture in Modernist America. Chapel Hill: University of North Carolina Press, 1987.

  • Torgovnick, Marianne. Gone Primitive: Savage Intellects, Modern Lives. Chicago: University of Chicago Press, 1990.

  • Trask, Michael. Cruising Modernism: Class and Sexuality in American Literature and Social Thought. Ithaca: Cornell University Press, 2003.

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  • Allen, Donald, and Warren Tallmann, eds. The Poetics of the New American Poetry. New York: Grove Press, 1973.

  • Aranda, José F. When We Arrive: A New Literary History of Mexican America. Tucson: University of Arizona Press, 2003.

  • Bertens, Johannes W., and Joseph Natoli, eds. Postmodernism: The Key Figures. Malden: Blackwell, 2002.

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  • Franco, Dean J. Ethnic American Literature. Comparing Chicano, Jewish, and African American Writing. Charlottesville: University of Virginia Press, 2006.

  • Gates, Henry Louis, Jr. The Signifying Monkey: A Theory of Afro-American Literary Criticism. New York: Oxford University Press, 1988.

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