A Tale of Two Sisters Review — wine and a kdrama

When Su Mi is confronted by the realization that her sister is dead, that’s when her mania goes into a tailspin and Su Yeon disappears from her side. The way Su Mi ‘sees’ her stepmother during the scenes of her dragging the bag is the manifestation of her rage and torment and it does such a good job of giving the viewer a greater understanding of what is going on in her head. The movie pulls you around constantly. From believing that the stepmother is really doing everything, to finding out that Su Mi is an unreliable narrator because everything you’ve just seen was her doing, to the realization that the true story is so much worse. It is literally placing you in the torment that Su Mi is actually in. It’s super effective and is probably one of my favorite things about the movie. I was horrified because I was seeing what she was, and it was unsettling.

Another thing that stuck with me from the first time I watched this and again after my rewatch, was the father’s role in everything. In the fairy tale that I talked about above, the father does not have much of a role in the story. He isn’t part of the abuse (the daughters choose not to tell him) but does believe the stepmother over the daughter. In the end, the girl’s spirits come to him to wish him a good life. In the movie, the father does a lot more even when he is shown doing the very least. It’s unsettling to see him interact with Su Mi because he knows that she’s still seeing her dead sister. He refuses to take away the piece of furniture in the house that is the literal cause of everything that happened. He doesn’t acknowledge that he has a greater role in the death of his first wife and his daughter or the mental trauma his eldest has to endure because of it. He has clearly admitted defeat in helping her. It’s a repeat of what he did with his first wife. He left her when she was mentally and physically unwell and moved on. He literally hid her in a closet to die.